
In
The Times (and also in
The Sun) yesterday were accounts of the will of the late Marquess of Bristol. John Hervey, 7th Marquess of Bristol, inherited a fortune of £35 million, but by means of dissipation lost it all and died almost penniless at the age of 44.
The Sun majored on the fact that his two half-sisters, so-called celebrities Lady Isabella and Lady Victoria Harvey (“it” girls), were left nothing in his will (presumably because he had nothing to leave).
It was not the sort of article I would normally spend time reading, except that I have a small personal recollection of the last days of the Marquess in Ickworth House, his ancestral home. I had been staying in Norfolk (where my brother lives) and met an assistant to the Marquess’s Secretary. We got on fairly well, and she talked about her work at Ickworth House (in the private wing, not the main house which is administered by the National Trust). It sounded so interesting that I said I would quite like to have a look if she could arrange it. I heard nothing more until June 1996 when the assistant rang me up and said that the private wing was being sold, the Marquess was moving out, and if I wanted a look around I should go over there immediately. I arranged to stay with my brother for a couple of days, and drove up to his house in Norfolk.
The next day, 3rd June 1996, I drove from mid-Norfolk down through Thetford Forest and across the county border into Suffolk, eventually arriving at the tiny village of Horringer. Turning in through wrought iron gates I drove through wooded parkland until the house came into view - huge, classical, and impractical, dominated by a massive rotunda. Driving across the main façade, I arrived at the private wing which appeared very restrained architecturally after the exuberance of the main block.
The assistant met me at the door and led the way inside. She said the Marquess was supposed to have moved out the day before, but had stayed in bed, refusing to get up (despite the fact that the house was already sold, the auction of contents only a couple of days away, and the removal men were waiting outside ready to move his personal effects). The assistant told me that as the Marquess (or Marquis as he insisted on being styled) was still there it was unlikely I would be able to look round, but she would ask anyway.
Inside the building was a long wide corridor, very high, running the length of the private wing and ending in a sort of conservatory where a bougainvillea bloomed in brilliant purple-red. Off this corridor were a series of elaborate staterooms, filled with antique furniture and paintings, the walls covered in yellow satin. Up and down the ground floor moved a multitude of people - valuers from Sotheby’s, managers from the removals company, staff from the estate.
Half-way down the corridor was a grand staircase leading to the upper floors. At the foot of these stairs stood the Marquess’s Secretary, a dazed-looking women in her mid-forties. Her day had consisted of a sort of shuttle diplomacy between the Marquess in pyjamas on the top landing and the tradesmen on the ground floor who were becoming increasingly frustrated at their inability to get on with their work. I particularly remember an obnoxious representative from Sotheby’s, a man in his twenties, referred to as Lord Henry. This individual paraded up and down the corridor with a great deal of arrogance, speaking to the other tradesmen in a very rude and insulting way. I suppose he was taking out on them his anger at being kept waiting by the Marquess.
The assistant introduced me to the Secretary, and the Secretary told me to follow her upstairs, and she would talk to the Marquess. Half-way up she asked to wait on a landing, and then continued up alone. As I waited I looked at an enormous Coronation portrait of Queen Charlotte of Mecklenburg-Strelitz (wife of George III, last queen of America, first queen of Australia - the acquisition of one continent balancing out the loss of the other) and breaking all the rules I took a photograph of this painting.
The Secretary returned and said that it wasn’t possible for me to look around that day, but if I came back the next day she would show me around. “Don’t worry” she said, indicating the staterooms, “nothing will be moved until Lord Bristol has left, and that won’t be until midday tomorrow.” I went back to my car and returned to my brother’s house.
Next day I was back at the private wing at Ickworth just after one o’clock in the afternoon. In contrast to the day before, the ground floor was deserted of people. I walked along the corridor a little way and turned into a sort of office-cum-sitting-room where I found the Secretary. The Marquess had finally left less than half an hour previously (to go to the Bahamas), and she was just recovering from the trauma of that moment (she had considerable affection and respect for Lord Bristol, and I see now that she was very upset over his leaving). We sat and talked for a while, and she described better days when the house was filled with guests. Then she showed me over the place.
In the dining room she described dinner parties when the room would be lit with black candles and the table laid with black china; in one of the sitting rooms she showed me an elaborate mirror the Marquess had had made and was too big to be moved to his new house; we went through a succession of upstairs rooms (on a number of different levels) and into the Royal Suite. Finally we ended up in the Marquess’s bedroom where he had spent his last night. The room was very untidy, the bed unmade, personal effects strewn everywhere. The Secretary showed me the shower, where the tiles were decorated with imperial bees (the Marquess was an admirer of Napoleon). In one of the window embrasures was a silk-upholstered ottoman, and lying on this piece of furniture was a paperback self-help manual entitled
The Lazy Man’s Way To Riches. The Secretary pointed at this book and said: “That says it all really.”
This was nine years ago and I was a lot younger then. Not just younger in years, but also less sensitive to the feelings of others. I see now that by going to the private wing at Ickworth I was intruding on a personal tragedy, and had no right to insinuate myself as a witness in someone else’s downfall.
As I left I remember noticing in the downstairs corridor a very expert copy of Poussin’s painting
The Shepherds of Arcady where four or five classical shepherds are examining a tomb upon which is inscribed the words Et In Arcadia Ego (implying that death is ever-present, even in paradise).