
Above: unexpectedly the ancient door in the Norman doorway was unlocked.

Above: inside it was dark, but the setting sun sent what appeared to be a golden ball of light into the building, allowing me a few minutes to look around.
Above: looking to the east. You can see the unusual arrangement of standard candlesticks which are lit at Easter, Christmas and the Feast of All Souls. Notice the high altar. In the nineteenth-century an alabaster plaque featuring the patronal saint was found under a flagstone in the chancel. Presumably it had been hidden there during the Reformation. The plaque would have been displayed above the high altar.

Above: English alabaster religious plaques were carved from sulphate of lime only found in a particular corner of south Derbyshire. Thus there is a fine display of the plaques in Nottingham Castle museum (from where I purchased this very thorough monograph). Mostly dating from the fourteenth and fifteenth centuries, they were exported all over Europe, but have now become extremely rare in England itself.

Above: if you don't want to travel to Nottingham you can see English medieval alabaster plaques in the Victoria & Albert Museum. On the right is St Catherine and the Burning of the Philosophers (the Roman Emperor Maxentius sent a group of philosophers to convert St Catherine to paganism, but instead she converted them to Christianity at which point Maxentius burned them). The plaque on the left is the head of St John the Baptist (interestingly, alabaster plaques of these heads were produced for private houses rather than churches, the cult of the head of St John the Baptist originating with the Knights Templar and signifying...).
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